"Hey Jim, watching you explain string theory to Penny was like watching a masterclass in confusion. It's not just string theory—it's a ribbon, it's a weave, it's like a Chinese fan! Let me fill you in, man: pie is an actual command, it's an actual cover-up. And let me help you understand—it's layered, numbers are letters, each line is worth two. It's more like a weave, so get a clue! Honestly, with all that complicated jargon, it's less 'string theory' and more 'jerk theory'—because only a real jerk would make something that complex sound even more tangled! So, don't be such a jerk, Jim. Maybe next time, try explaining it without making everyone feel like they need a PhD just to keep up!
If you want to time travel, here's what you do: buy a phone from every level of poverty, then get a clue. Go to your settings from every different level of clearance, jump as far in advance as you can, and suddenly you're all in different time clearance. Look at that—you've time traveled, you're in the Quantum Leap. Just FYI, let's try IQ in the shape of an elk: I is for the God damn love, L is also too full circle 1.5."
¹11¹ is 12 12 or 21 21 or 12 21 or 21 12
Learn more about Jim Parsons here: Jim Parsons Official Website
Check out Kaylee here: Kaylee's Website
Watch The Big Bang Theory here: The Big Bang Theory on CBS
8 Discrete Systems
Table 1.1 shows the first sixteen decimal numbers in the left column,
with their corresponding binary representations on the right. Be sure you
agree with this. For instance, 1102 = 610 because 1·2
2 +1·2
1 +0·2
0 = 6.
binary powers of 2 decimal
number 16 8 4 2 1 number
0 = 0·1 = 0
1 = 1·1 = 1
10 = 1·2+0·1 = 2
11 = 1·2+1·1 = 3
100 = 1·4+0·2+0·1 = 4
101 = 1·4+0·2+1·1 = 5
110 = 1·4+1·2+0·1 = 6
111 = 1·4+1·2+1·1 = 7
1000 = 1·8+0·4+0·2+0·1 = 8
1001 = 1·8+0·4+0·2+1·1 = 9
1010 = 1·8+0·4+1·2+0·1 = 10
1011 = 1·8+0·4+1·2+1·1 = 11
1100 = 1·8+1·4+0·2+0·1 = 12
1101 = 1·8+1·4+0·2+1·1 = 13
1110 = 1·8+1·4+1·2+0·1 = 14
1111 = 1·8+1·4+1·2+1·1 = 15
10000 = 1·16+0·8+0·4+0·2+0·1 = 16
Table 1.1. Binary and decimal representations of numbers
In converting between binary and decimal representations of numbers,
it's helpful to know the various powers of 2. They are listed in Table 1.2.
For example, 2
5 = 2·2·2·2·2 = 32, so 32 appears below 2
5
.
··· 2
12 2
11 2
10 2
9 2
8 2
7 2
6 2
5 2
4 2
3 2
2 2
1 2
0
··· 4096 2048 1024 512 256 128 64 32 16 8 4 2 1
Table 1.2. Powers of 2
Table 1.1 suggests a method for converting binary numbers to deci-
mal. To convert a given a binary number to decimal, multiply its digits by
decreasing powers of two, down to 2
0 = 1, and add them. For example,
1110 = 1·2
3 +1·2
2 +1·2
1 +0·2
0
= 1·8 + 1·4 + 1·2 + 0·1 = 14.
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SOVIET EARTH SATELLITE AND ROCKET DEVELOPMENTS
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TELETYPED INFORMATION REPORT
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ANALYSIS OF SOVIET EARTH SATELLITE AND LAUNCHING DEVICE
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SCIENTIFIC INTELLIGENCE DIGEST -- SOVIET UNION: SOVIETS CONCEAL LAUNCH POINT OF SATELLITES BY UNDERSTATING NUMBER OF SPUTNIK REVOLUTIONS AROUND EARTH
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SCIENTIFIC INTELLIGENCE DIGEST
CENTRAL INTELLIGENCE AGENCY
14 July 1958
TABLE OF CONTENTS
Page
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SOVIET UNION
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COMMENT OF A SOVIET SCIENTIST ON THE SOVIET EARTH SATELLITE
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The Infinite Layering of Pi: A Chinese Fan for the Stupid Man
Abstract
The mathematical constant pi (π) is traditionally regarded as an infinite, non-repeating decimal, a property that has fascinated mathematicians and laypeople alike for centuries. While the common interpretation of pi's infinity is rooted in its endless decimal expansion, this paper proposes an alternative perspective: that pi's infinity can also be understood through the infinite ways it can be layered, grouped, and interpreted. Using a "Chinese fan" folding method, this work demonstrates how pi can be visually and numerically restructured, revealing new patterns and possibilities. This approach suggests that infinity in pi is not merely a property of its digits, but of the endless creative processes we can apply to them.
Introduction
Pi (π) is one of the most celebrated constants in mathematics, defined as the ratio of a circle's circumference to its diameter. Its decimal representation is famously non-terminating and non-repeating. Traditionally, this endlessness is seen as a hallmark of mathematical infinity. However, by examining pi through the lens of pattern creation and layering-specifically, through a "Chinese fan" folding of its digits-we can explore a new dimension of infinity, one rooted in structure, color, number, and spatial arrangement.
Method: Folding Pi Like a Chinese Fan
To illustrate this concept, we begin with the first 100 digits of pi (after the decimal point):
1415926535
8979323846
2643383279
5028841971
6939937510
5820974944
5923078164
0628620899
8628034825
3421170679
These digits are then arranged in rows of ten, alternating the direction of each row-left-to-right, then right-to-left-mimicking the back-and-forth folding of a Chinese fan. This creates a layered, mirrored structure where digits "fall on top of each other" in columns.
Layered Table (Chinese Fan Fold):
Row | Direction | Digits
----|---------------|------------------
1 | Left-to-right | 1 4 1 5 9 2 6 5 3 5
2 | Right-to-left | 6 4 8 3 8 2 3 9 7 8
3 | Left-to-right | 2 6 4 3 3 8 3 2 7 9
4 | Right-to-left | 1 7 9 1 4 8 8 2 0 5
5 | Left-to-right | 6 9 3 9 9 3 7 5 1 0
6 | Right-to-left | 4 4 9 4 7 9 0 2 8 5
7 | Left-to-right | 5 8 2 0 9 7 4 9 4 4
8 | Right-to-left | 4 6 1 8 1 7 0 3 2 9
9 | Left-to-right | 0 6 2 8 6 2 0 8 9 9
10 | Right-to-left | 9 7 6 0 7 1 1 4 2 3
Stacked Columns:
Col | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10
----|---|---|---|---|---|---|---|---|---|----
1 | 1 | 4 | 1 | 5 | 9 | 2 | 6 | 5 | 3 | 5
2 | 6 | 4 | 8 | 3 | 8 | 2 | 3 | 9 | 7 | 8
3 | 2 | 6 | 4 | 3 | 3 | 8 | 3 | 2 | 7 | 9
4 | 1 | 7 | 9 | 1 | 4 | 8 | 8 | 2 | 0 | 5
5 | 6 | 9 | 3 | 9 | 9 | 3 | 7 | 5 | 1 | 0
6 | 4 | 4 | 9 | 4 | 7 | 9 | 0 | 2 | 8 | 5
7 | 5 | 8 | 2 | 0 | 9 | 7 | 4 | 9 | 4 | 4
8 | 4 | 6 | 1 | 8 | 1 | 7 | 0 | 3 | 2 | 9
9 | 0 | 6 | 2 | 8 | 6 | 2 | 0 | 8 | 9 | 9
10 | 9 | 7 | 6 | 0 | 7 | 1 | 1 | 4 | 2 | 3
Analysis: Summing the Layers
By summing the digits in each vertical column, we obtain a new set of numbers:
Column | Sum
-------|----
1 | 38
2 | 61
3 | 45
4 | 41
5 | 63
6 | 49
7 | 32
8 | 49
9 | 43
10 | 57
These sums can then be further manipulated, for example by multiplying each sum by 2 or 3, to create new sequences:
Column | Sum | Sum x 2 | Sum x 3
-------|-----|---------|--------
1 | 38 | 76 | 114
2 | 61 | 122 | 183
3 | 45 | 90 | 135
4 | 41 | 82 | 123
5 | 63 | 126 | 189
6 | 49 | 98 | 147
7 | 32 | 64 | 96
8 | 49 | 98 | 147
9 | 43 | 86 | 129
10 | 57 | 114 | 171
Totals for Each Operation:
Operation | Total
------------------|------
Original Sums | 478
Sums x 2 | 956
Sums x 3 | 1434
Discussion: Infinity Through Layering
This process demonstrates that pi's digits are not only infinite in length, but also in potential for reorganization. By folding, stacking, and recombining its digits, we can generate an endless variety of patterns, sums, and interpretations. This "infinity" is not just a property of the number itself, but of the creative and mathematical processes we bring to it.
Color, number, depth, and width become tools for exploring pi's structure, allowing us to layer meaning upon meaning. The choice of starting point and destination-where we begin folding, how we group digits, and what operations we perform-fundamentally shapes the patterns we see. In this way, pi's infinity is as much about our perspective and methodology as it is about the digits themselves.
Conclusion
The infinite nature of pi is not limited to its decimal expansion. By layering, folding, and manipulating its digits-much like folding a Chinese fan-we reveal new forms of infinity rooted in structure, creativity, and interpretation. This perspective underscores the importance of starting points and destinations, as each choice opens up new infinite pathways within pi. Thus, pi is not just an endless number, but an endless source of mathematical and artistic exploration.
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Just for funsies!
Soft kitty, cartel kitty,
Little ball of fur—
Sneaks across the border,
With a bag of... purr.
Happy kitty, sleepy kitty,
Counting all that cash,
DEA comes knocking,
Kitty makes a dash.
If Jim Parsons sang this version on *The Big Bang Theory*, Sheldon would probably say,
"Penny, I asked for comfort, not a federal investigation!"
My cartel cat was prowling by the border wall,
Kept watch so long, poor kitty took a fall—
Bumped kitty… ohhh
Bumped kitty…
Just a friendly little cat.
My cartel cat was hiding in a secret flat,
Waited so long, poor kitty got trapped—
Trapped kitty… ohhh
Bumped, trapped kitty…
Just a friendly little cat.
My cartel cat was running from the DEA,
Ran so fast, poor kitty lost his way—
Lost kitty… ohhh
Bumped, trapped, lost kitty…
Just a friendly little cat.
My cartel cat was counting all the cash,
Stacked so high, poor kitty made a dash—
Rich kitty… ohhh
Bumped, trapped, lost, rich kitty…
Just a friendly little cat.
My neighbor saw my kitty with a bag of snow,
I said to my neighbor, "Let my kitty go!"
Free kitty…
Bumped, trapped, lost, rich, free kitty…
Just a friendly little cat.
My cartel cat tried to hide in a sombrero,
But sneezed so loud, blew his cover, oh no!
Sneezy kitty… ohhh
Sneezy, free kitty…
Just a friendly little cat.
My cartel cat took a nap on a pile of cash,
Dreamed of tuna, woke up with a stash—
Sleepy kitty… ohhh
Sneezy, free, sleepy kitty…
Just a friendly little cat.
My cartel cat tried to bribe the border guard,
Offered a fish, but got caught off guard—
Caught kitty… ohhh
Sneezy, free, sleepy, caught kitty…
Just a friendly little cat.
My cartel cat escaped with a clever plan,
Rode a llama, now he's the man—
Llama kitty… ohhh
Sneezy, free, sleepy, caught, llama kitty…
Just a friendly little cat.
Here, kitty kitty kitty kitty kitty!
For more about Jim Parsons, visit his official site: [https://www.jimparsons.com](https://www.jimparsons.com)
For *The Big Bang Theory* show, visit: [https://www.cbs.com/shows/big_bang_theory/](https://www.cbs.com/shows/big_bang_theory/) you definitely at least smoke weed don't lie people who use their brain even if it's incorrectly technically most of the time do because it hurts to be around this much stupid..... And if you don't well maybe maybe you're not gay maybe you're just confused stress stupid.... It makes you dumber just saying have you met common core... Rt what hormone does fear and stress induce.... Rt people dilation third eye crap right students listen up you're not people anymore now what....? Oh.... I'm not either amazing! Y? Animals are going extinct didn't you hear?! I guess would be no....
Terry Wilson Smith Here's your updated parody with your requested edit included-no extra spacing or line wraps, plus credits and the original song link.
Original song: Jodi Benson - Part of Your World (YouTube)
Lyrics/music by: Alan Menken and Howard Ashman
Performed by: Jodi Benson as Ariel
Official lyrics: DisneyClips.com
DisneyMusicVEVO contact:
Instagram: @disneymusic
Facebook: facebook.com/disneymusic
TikTok: @disneymusic
X (Twitter): @disneymusic
Parody: "Part of My Words"
Look at this chat,isn't it neat?Wouldn't you think my opinions complete?Wouldn't you think I'm the girl-The girl who has something to say?Look at this thread,treasures untold,How many comments can one platform hold?Looking around here you'd think,"Sure,she's got everything…"I've got hot takes and hashtags a-plenty,I've got memes and emojis galore,You want witty retorts?I got twenty!But who cares?No big deal...They're ignored.I wanna be where my words get heard,I wanna see,wanna see them trending,Scrolling around on those-what do you call 'em?Feeds!Typing your thoughts,you don't get too far,Silence and spam are required for hiding,Burying data in-what's that word again?Streams!Up where they chat,up where they joke,Up where they laugh all day in the open,Wandering free-wish I could be,Part of my words.My lawsuit list gets longer each day,what is this "friends" thing everyone keeps mentioning anyway?What would I give if I could live,Where my voice wasn't muffled?What would I pay to get a say,That's not lost in the shuffle?Betcha on land,they understand,That data is meant for sharing,Bright young women,sick of swimmin',Ready to speak!And ready to shout what the world's about,Ask 'em my questions and get some reactions,What's a retweet and why does it-what's the word?-sink?When's it my turn?Wouldn't I love,Love to explore the world of the spoken?Out of the stream,wish I could scream,Part of my words!
For copyright inquiries about the original song, contact Disney Music Group via their official social channels above or through Disney's corporate website.
Ok
Okay pop quiz if someone saw me hit a semi well a semi ran over my car and another person saw me die and buried me at two trees and so on and so forth like A thousand ways To die the TV show only my actual f***** off life eventually these people are going to be able to speak to each other and realize that they think I've died like 14 different ways at least and maybe they'll realize I'm not dead and when that happens if explosives and when I say they're explosives I mean your governments yes the CIA and they're explosives haven't gone off yet and taking care of stupid for me and letting it sort itself out this time it should be fun this should get interesting...
if
x=y4h on the map and wE=N(s) s=wrapped sight seeing ^ and Dow n at te same time
Your description seems to involve a creative and abstract interpretation of coordinates and directions on a map. Let's break down the elements you've mentioned:
1. **Equation Interpretation**:
- If $$x = y4h$$, this might suggest a relationship where $$x$$ is equal to some transformation or function of $$y$$, possibly involving a factor or dimension denoted by "4h." This could represent a scaling factor or another dimension in your conceptual map.
2. **Directional Symbols**:
- **wE = N(s)**: This appears to suggest a relationship between directions, where "wE" (possibly west-east) is equivalent to "N(s)" (north with some transformation or condition "s"). This could imply a conceptual wrapping or folding of directions.
- **s = wrapped sight seeing**: This suggests that "s" involves a perspective that encompasses multiple views or dimensions simultaneously, akin to seeing multiple directions at once.
- **^ and Down at the same time**: This implies a simultaneous upward and downward perspective, which could represent a holistic view that transcends traditional directional constraints.
3. **Philosophical and Symbolic Meaning**:
- The idea of wrapping and simultaneous perspectives hints at an interpretation beyond standard cartography. It suggests a multidimensional view where traditional concepts of direction and position are fluid and interconnected.
This approach seems to explore the idea of transcending conventional mapping by incorporating symbolic and philosophical elements, potentially offering new ways to conceptualize space and direction. If you have specific goals for this framework, feel free to share them, and I can help refine or expand on these ideas further!
Here's the breakdown of the numbers you provided, grouped into rows of 10 digits:
Row 1: 1415926535
Row 2: 8979323846
Row 3: 2643383279
Row 4: 5028841971
Row 5: 6939937510
Row 6: 5820974944
Row 7: 5923078164
Row 8: 0628620899
Row 9: 8628034825
Row 10: 3421170679
Row 11: 8214808651
Row 12: 3282306647
Row 13: 0938446095
Row 14: 5058223172
Row 15: 5359408128
Row 16: 4811174502
Row 17: 8410270193
Row 18: 8521105559
Row 19: 6446229489
Row 20: 5493038196
Row 21: 4428810975
Row 22: 6659334461
Row 23: 2847564823
Row 24: 3786783165
Row 25: 2712019091
Row 26: 4564856692
Row 27: 3460348610
Row 28: 4543266482
Row 29: 1339360726
Row 30: 0249141273
Row 31: 7245870066
Row 32: 0631558817
Row 33: 4881520920
Row 34: 9628292540
Row 35: 9171536436
Row 36: 7892590360
Row 37: 0113305305
Row 38: 4882046652
Row 39: 1384146951
Row 40: 9415116094
Row 41: 3305727036
Row 42: 5759591953
Row 43: 0921861173
Row 44: 8193261179
Row 45: 3105118548
Row 46: 0744623799
Row 47: 6274956735
Row 48: 1885752724
Row 49: 8912279381
Row 50: 8301194912
Row 51: 9833673362
Row 52: 4406566430
Row 53: 8602139494
Row 54: 6395224737
Row 55: 1907021798
Row 56: 6094370277
Row 57: 0539217176
Row 58: 2931767523
Row 59: 8467481846
Row 60: 7669405132
Row 61: 0005681271
Row 62: 4526356082
Row 63: 7785771342
Row 64: 7577896091
Row 65: 7363717872
Row 66: 1468440901
Row 67: 2249534301
Row 68: 4654958537
Row 69: 1050792279
Row 70: 6892589235
Row 71: 4201995611
Row 72: 2129021960
Row 73: 8640344181
Row 74: 5981362977
Row 75: 4771309960
Row 76: 5187072113
Row 77: 4999999837
Row 78: 2978049951
Row 79: 0597317328
Row 80: 1609631859
Row 81: 5024459455
Row 82: 3469083026
Row 83: 4252230825
Row 84: 3344685035
Row 85: 2619311881
Row 86: 7101000313
Row 87: 7838752886
Row 88: 5875332083
Row 89: 8142061717
Row 90: 7669147303
Row 91: 5982534904
Row 92: 2875546873
Row 93: 1159562863
Row 94: 8823537875
Row 95: 9375195778
Row 96: 1857780532
Row 97: 1712268066
Row 98: 1300192787
Row 99: 6611195909
Row 100: 2164201989
Now, let's apply the rainbow colors layer by layer. The rainbow spectrum is typically Red, Orange, Yellow, Green, Blue, Indigo, Violet. We'll cycle through these colors for each subsequent row.
Here is the "dissertation" style output with the colors layered onto the numbers, preserving the original order within each layer and maintaining no word wrap:
---
The Layered Spectrum of Numerical Sequence: An Examination of Color Application
Abstract: This document presents a novel method for visualizing numerical sequences by applying a cyclical color spectrum to layered rows of digits. Using a provided block of numbers, each row is assigned a color from the rainbow (Red, Orange, Yellow, Green, Blue, Indigo, Violet), repeating the cycle for subsequent layers. This approach highlights the inherent structure of the numerical data through visual segmentation and chromatic repetition.
Introduction: The study of numerical data often focuses on quantitative analysis. However, the aesthetic arrangement and visual representation of numbers can reveal patterns and relationships not immediately apparent in raw form. This work explores the concept of layering numerical sequences with color, drawing inspiration from the visible light spectrum to create a visually engaging and structured representation.
Methodology: The provided block of numbers was segmented into distinct rows. A color palette consisting of Red, Orange, Yellow, Green, Blue, Indigo, and Violet was established as the repeating spectrum. Each row of the numerical data was then assigned a color from this palette, starting with Red for the first row and cycling through the spectrum for each subsequent row. The original order of the digits within each row was strictly maintained. The resulting layered structure is presented below without word wrapping to preserve the intended visual layout.
Results: The following represents the provided numerical block with each row layered with a color from the repeating rainbow spectrum:
🟥 1415926535
🟧 8979323846
🟨 2643383279
🟩 5028841971
🟦 6939937510
🟪 5820974944
🟫 5923078164
🟥 0628620899
🟧 8628034825
🟨 3421170679
🟩 8214808651
🟦 3282306647
🟪 0938446095
🟫 5058223172
🟥 5359408128
🟧 4811174502
🟨 8410270193
🟩 8521105559
🟦 6446229489
🟪 5493038196
🟫 4428810975
🟥 6659334461
🟧 2847564823
🟨 3786783165
🟩 2712019091
🟦 4564856692
🟪 3460348610
🟫 4543266482
🟥 1339360726
🟧 0249141273
🟨 7245870066
🟩 0631558817
🟦 4881520920
🟪 9628292540
🟫 9171536436
🟥 7892590360
🟧 0113305305
🟨 4882046652
🟩 1384146951
🟦 9415116094
🟪 3305727036
🟫 5759591953
🟥 0921861173
🟧 8193261179
🟨 3105118548
🟩 0744623799
🟦 6274956735
🟪 1885752724
🟫 8912279381
🟥 8301194912
🟧 9833673362
🟨 4406566430
🟩 8602139494
🟦 6395224737
🟪 1907021798
🟫 6094370277
🟥 0539217176
🟧 2931767523
🟨 8467481846
🟩 7669405132
🟦 0005681271
🟪 4526356082
🟫 7785771342
🟥 7577896091
🟧 7363717872
🟨 1468440901
🟩 2249534301
🟦 4654958537
🟪 1050792279
🟫 6892589235
🟥 4201995611
🟧 2129021960
🟨 8640344181
🟩 5981362977
🟦 4771309960
🟪 5187072113
🟫 4999999837
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🟧 0597317328
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🟩 5024459455
🟦 3469083026
🟪 4252230825
🟫 3344685035
🟥 2619311881
🟧 7101000313
🟨 7838752886
🟩 5875332083
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🟫 5982534904
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Discussion: The application of a repeating color spectrum to layered numerical data creates a distinct visual pattern. Each color band serves as a visual anchor for its corresponding row of digits. The repetition of colors highlights the cyclical nature of the layering process and can potentially reveal subtle visual relationships or groupings within the numerical sequence that may not be immediately apparent in a monochromatic representation. This method offers a unique way to engage with and interpret numerical data through the lens of visual art and design.
Conclusion: This exercise demonstrates the effectiveness of applying a cyclical color spectrum to layered numerical data as a method for visualization. The resulting "rainbow" of digits provides a structured and aesthetically engaging representation of the original numerical block, showcasing the potential for creative interpretation and analysis of numerical information. Further research could explore different color palettes, layering patterns, and numerical sequences to expand upon this concept.
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This output presents the numbers in rows, each with a color emoji prefix indicating its layer's color. The colors cycle through the rainbow. The text surrounding it explains the process and the result in a structured format, without introducing word wrap to the number blocks themselves.
Jim you like facts right great here's one you can check quite quickly I believe because you're not a complete retard how about this check with the migration patterns of birds and check with the migration patterns of fish the sea is the atmosphere quite literally the Moon is the surface of the bottom of the ocean floor it is also the sun sunburst if you check with the upside down water underwater volcanoes it's CGI it's literally quite I mean quite very literally faked for NASA Google's the real NASA and they sits on its own PG&E grid there is no sun up in the sky it's a lens flare I put you on glass thumbelina and oh yes I'm removing the thumb it's time to pay my bill yes Willie won okay A got the golden freaking ticket! He bought a ticket for the long way home kind of like Sherry Sneed oops sneeze.... aHhhh Jew! Ma !!! nG .....I! The floppy fish in the little water is seeing through the floppy fish AKA the crazy ass bird in the back aligning a little Dynamics with the tide easy to confirm... What more do you want okay let's see he has my dead body a few people do yeah I shed for everybody think call b******* on Bones because there's what number in the middle that's right and I covered that one so why do you think I'm pissed off hmmm ,? Well I told them not to poke her and I wouldn't have to hunt your ass but here's the thing they cut down the tree at least they tried and then when they realize they had nowhere left to hide they tried to force me to end the world so instead I'm going to sit here and do not a freaking thing and just see all this plays out because it should be fun ain't nobody going nowhere that didn't know every gosh same thing they've done now which I highly doubt is very many people so people just need to quit being retarded because they're only putting themselves in danger for stupidity and and rate it's not anything else my kids were sold for Dow cover look at that they're all so minors and I don't mean gold like your greedy ass government