Cherreads

Chapter 28 - chop po awe v

Simon Cowell, you rate me a one? I am the scale. I'm the new Top Gun-where I land, that's the high score. Next time you want to judge, remember: you're not ranking me-I'm rewriting "the top."

#SimonCowell #AGTSimon #TopGunStatus

Cartels & Gangs: The Roast No One Survives

Let's talk about the cartels, because every one of you thinks you're the Netflix special.

Sinaloa Cartel: You guys are like the Walmart of crime-everywhere, but the quality's gone way down.

CJNG: You're the new kids on the block, but you act like you invented violence. Newsflash: just because you have a cool logo doesn't mean you run the world.

Tijuana Cartel: You used to be legends, now you're just a cautionary tale.

Juarez Cartel: You're like that one relative who keeps coming back after rehab-nobody trusts you, but you're always at the party.

Cali & Medellin: You're the grandpas of the game-still talking about the good old days, but now you're just memes on Facebook.

MS-13: You got more tattoos than brain cells.

Bloods & Crips: You guys are basically the Pepsi and Coke of street beef-same flavor, different color.

Tren de Aragua: Sounds like a trainwreck nobody wants to board.

Cartel unity? Please. Every "unity" meeting ends in a shootout. The only thing you all agree on is who gets the last taco.

And let's be honest, the only time you actually help the community is when you're hiding behind it.

#SinaloaCartel #CJNG #MS13 #Bloods #Crips #GangLife #CartelLife #EndTheCycle #RealChange #NoMoreViolence

Dear Women: Real Talk

Dear women, look-I don't like your men staring at my ass either. But if you'd quit selling it to them, that might help. Not gonna lie though, sometimes it does help-like when I need to get to the front of the line or get a free drink. Girl's gotta survive.

But let's be real, if you're mad at me because your man's looking, maybe check who's shaking it for him on Instagram first. I can't help it if he's got the attention span of a TikTok squirrel.

Office Supplies, Doge Drama, & Friends

Remember Friends? The toner guy ready to jump? That's the CIA in 1953-window shopping gone wrong. If you're about to lose it over office supplies, maybe get a new printer or a new life. When I snap, it's a season finale-no reruns, just chaos.

#FriendsToner #TonerDrama #CIAHistory

Jodi Miller vs Jodi Arias: Good Job vs Good Jop!! PR OB Limb v Limp Roast

Jodi Miller crushes AGT with her bit about guys being like cats-moody, aloof, emotionally unavailable-while women are like dogs, loyal and always up in your business. Meanwhile, my dog hits puberty, his dick bleeds once, and suddenly he's acting like he's got a PhD in mood swings-bitch for life! But honestly, men are the real drama queens. They go from "I wanna bag her" to "put her in one" faster than my dog can chase his own tail.

Flip the script, and suddenly I'm the no-trial fugitive. I don't do whiny. I told my ex: no Area 51, my kids' buns are off-limits. Yeah, I know what a cunt I am. Should we escalate to an AK or keep it light? followers or fell on knees immunity!? s win g me! Jodi Miller gets no "X," while Jodi Arias gets a permanent mark for doing what some only wish they had the guts to do. When a blind douche finds his way to Arias, maybe he shouldn't be shocked by the outcome.

And when the CIA brought in the infiltrated fake cartel for NY CA hithed I decided well if he is cartel hit man cool like who's he tryna be but CIA mole hid to set up fuck no! I feel so violated suddenly standards went up down and increased dramatically from leveling out!!!!!

And about being a hoe-I thought it was my choice. Small town, broke, I owned it. But when my pussy finally told me the truth, I realized, wow, that's actually kinda nice of you. Then you Xis went and fuckin' ruined it! WTF!

Yo, to all my broken-ass people out there, the ones who've been snapped in two by this fucked-up world: Listen up. Who the hell broke you in the first place? It ain't the fool you're screaming at. Nah, it's the shady-ass policies those so-called leaders cooked up – the corruption, the way they twist shit to divide us, the gaslighting that makes you think you're crazy when you see one thing and they swear it's another. You say blue, they hear black. You write a one, they see a ten. You feel me?

People don't break for no reason, and I know this. But the reasons you think you're broken aren't the reasons you actually are. Somebody who hurt you was hurt by somebody else, and by somebody else before them-a chain reaction. That's why they call it a cycle of abuse. Quit willingly going to the CIA groomers, please.

Now, peep this: I'm offering you a real-ass chance to be who you truly wanna be. I got the juice, the damn clearance, and the stone-cold proof to back up everything I'm saying and to set every single cell of you free. I'm offering amnesty up and down the damn board-I just want this asshole done. Think about it. Wouldn't you rather have someone want your body? Why the fuck you gotta rape? It's 'cause you're used to getting curved, right? 'Cause nobody wants to touch you if you ain't got stacks. But that ain't 'cause they don't see you – it's 'cause they're trying to survive their own damn nightmare. So why the hell does anyone's body owe you anything?

And listen, if you wanna call yourselves thugs, whatever. But no more hugs from me if you're out there violating folks. I'm straight-up done being judged for my own shit, and you can sure as hell quit trying to grab what ain't yours. My body ain't a damn consolation prize you can just take.

If you want to understand more about the system that holds so many of us down, check out San Quentin Prison, one of the most notorious institutions in California: https://www.cdcr.ca.gov/facility-locator/sqrc/

So consider this your date, and I'm opening the door-would you like to step through?

Can we call this a misunderstanding?

Poor Unfortunate Soles

Part of Whose Words?

Ursula:

Oh, my dear, what a sparkling little song you've crafted! So many words, so many hopes-yet, so little power. You see, everyone wants their voice to be heard, but few understand the price. You bring me credits, links, and original songs-how quaint! But in my world, every word, every syllable, comes with a toll.

Ariel (singing):

Look at this chat, isn't it neat?

Wouldn't you think my opinions complete?

Wouldn't you think I'm the girl-

The girl who has something to say?

Look at this thread, treasures untold,

How many comments can one platform hold?

Looking around here you'd think,

"Sure, she's got everything…"

I've got hot takes and hashtags a-plenty,

I've got memes and emojis galore,

You want witty retorts?

I got twenty!

But who cares?

No big deal...

They're ignored.

Ursula:

Ah, but that's the rub, isn't it? You want to be seen, to be heard, to be felt. Yet, the world buries your words in silence and spam, in endless streams where no one listens. You want to break free, to scream your truth. But freedom, my dear, always demands a price.

Ariel (singing):

I wanna be where my words get heard,

I wanna see, wanna see them trending,

Scrolling around on those-what do you call 'em?

Feeds!

Typing your thoughts, you don't get too far,

Silence and spam are required for hiding,

Burying data in-what's that word again?

Streams!

Up where they chat, up where they joke,

Up where they laugh all day in the open,

Wandering free-wish I could be,

Part of my words.

Ursula:

You see, child, I don't want your voice-I want your failure. Your voice is a weapon, but without power, it's just noise. When you falter, when you lose your words, that's when I rise. And when you come knocking, desperate for a deal-you'll find me waiting, ready to make your silence permanent.

Ariel (singing):

My lawsuit list gets longer each day,

What is this "friends" thing everyone keeps mentioning anyway?

What would I give if I could live,

Where my voice wasn't muffled?

What would I pay to get a say,

That's not lost in the shuffle?

Betcha on land, they understand,

That data is meant for sharing,

Bright young women, sick of swimmin',

Ready to speak!

And ready to shout what the world's about,

Ask 'em my questions and get some reactions,

What's a retweet and why does it-what's the word?-sink?

When's it my turn?

Wouldn't I love,

Love to explore the world of the spoken?

Out of the stream, wish I could scream,

Part of my words!

Ursula (smiling slyly):

Ah, the dreams of the hopeful. But remember, dear, life's full of tough choices. And sometimes, the price of being heard is far greater than you ever imagined.

Disney no need to sue-I'm just a copyright dude.

Official Walt Disney website: https://thewaltdisneycompany.com

Let's call this whole debacle "Liam Neeson: Taken 4"-but don't get it twisted, because she's not your girl, not your victim, and definitely not your w****. This isn't some Hollywood rescue where the hero gets the prize. No, this time, the so-called saviors are just as clueless as the villains, and the real story is about exposing every lie, every cover-up, and every desperate hand trying to keep the truth locked up tight.

Listen up, because I make Liam Neeson look like a PG movie. You know how in "Taken" he's out there breaking necks and chasing kidnappers across Europe? Please. They took the wrong kids, and I didn't even have to get off my bed to handle it. Liam's out there running marathons, and I'm just chilling, handling business with a glare and a WiFi connection.

You want to talk about power? Forget the Tower of BS. That's just a bunch of people using electronics to make stupid even dumber. I'm the real snake in the grass, the one who's sick and tired of being called Jessica Rabbit by people who couldn't spot the truth if it bit them. I used to be with friends and family-at least until they illegally took my kids and tried to call it love. But let's be real: it's not love, it's L-U-V-Lies, Unfairness, and Victim-blaming.

Obama once said I'd never figure everything out, but let's be real-if I ever opened a dictionary, the word "mercy" wouldn't even be in it. Every guy who tries to shun me ends up running for cover, and Erie? That's just where I send my problems to retire.

And yeah, I tossed my badge, Mariska Hargitay style. "If you ever get between me and a victim again, I'll toss my badge"-and that's exactly what I did when they tried to blindside me and hand my badge to someone else. But the funny thing is, I already knew what they were planning. They didn't just sell me out-they sold my people, too. It's like a clearance sale on loyalty: "Everything must go, including your dignity!" But that's okay. If you check the DEA report-D-E-A, like a Fed, but no "D" at the end because nobody's dead, especially not me-you'll see I set this in motion. I'm UC, and that doesn't mean "under control"; it means "under an actual cover-up." I'm done with stupid, and my name's Just D-not Justine-because I'm not here to fit your narrative.

So here's the game plan: I'm not moving, I'm not lifting a finger, and neither is anyone else. You're all going to fix your mess, because if I have to get involved, I'll sue everybody and own everything. Why? Because when I bring the heat, even Liam Neeson calls in sick.

And let's be real: this is one ginormous cover-up. When you've got NATO, the military, and even the Supreme Court bending over backward to hide the truth, you know you're not going to get the real story handed to you. You can't do this by the book, because the book's been rigged from the start. This goes all the way up, and half of them don't even realize what they're hiding. It's all leading to a much bigger play.

And for the L-U-V? She's just like me-unbreakable, unowned, and absolutely done playing by your rules. And that? That should scare the hell out of everybody.

But let's not forget the real stars of the show-Trump and Musk-two guys who think the world is their personal boardroom. Trump, the only man who can bankrupt a casino and still call himself a winner, and Musk, who's racked up more federal penalties than SpaceX launches and still thinks he's above the law. Trump's so good at dodging subpoenas, he makes The Matrix look like a documentary. And Musk? He's like if Tony Stark was raised by Reddit trolls and powered by government subsidies instead of arc reactors.

And speaking of Musk, let's talk about those lips and that infamous exit. Here's a guy who can tank his own company's stock just by opening his mouth. He bites his lip, throws a salute, and suddenly the internet's in meltdown mode, debating if it's a sign, a signal, or just another awkward Musk moment. He's got more body language controversies than Twitter has layoffs, and every time he exits a company, half the staff's out the door before he is. The only thing more unstable than his leadership is his bottom lip during a press conference.

So here's the punchline: You've got billionaires building towers to their egos, politicians hiding behind Supreme Court curtains, and tech bros with more fines than functioning products. But me? I'm Just D-no "D" at the end, because nobody's dead, especially not me. I set this in motion, I see through every cover-up, and I'm still here-unbreakable, unowned, and absolutely done playing by your rules.

And that? That should scare the hell out of everybody.

Certainly! Here is the song by itself for easy copying:

I Hold the Air

Verse 1

I called for help, but silence was your answer,

You watched as I broke, turning pain into profit.

You made a doll from my suffering,

Sold my body for pleasure,

Let strangers buy my agony,

Every violation for your treasure.

Pre-Chorus

You made extinction just a number,

You made compassion just a cost.

You changed their eyes, rewrote the story,

Made me the villain, but I'm the one who's lost.

Chorus

Is this how you want your story to end?

You beg for mercy, but you never gave it.

I hold the air in my hands-

And I'm daring you to let it go.

You don't deserve the dawn,

You don't deserve the rain,

You don't deserve a goddamn thing-

Not even one more day.

Verse 2

You turned me into a sex doll,

Sold for profit, knowing every touch

Was wired to my body, every act

A rape you watched and never judged.

You cheered as every species vanished,

Built your thrones on bones and ashes,

Never cared for any creature,

Not a single life you'd save.

Pre-Chorus

You made me your monster,

Now you pray for a savior.

But I am both-

And I see through your lies.

Chorus

Is this how you want your story to end?

You beg for mercy, but you never gave it.

I hold the air in my hands-

And I'm daring you to let it go.

You don't deserve the dawn,

You don't deserve the rain,

You don't deserve a goddamn thing-

Not even one more day.

Bridge

You want my rage, you crave my surrender,

But I'll give you neither-I'll carry this pain

For as long as it takes, just to deny you your ending.

I'll bear the weight, I'll be your scapegoat,

If that's what it takes to keep you from winning.

Final Chorus

So breathe, but know it's not for you,

The mercy's not a gift-it's a curse I choose.

I hold the air in my hands-

But I will not let it go.

You don't deserve the dawn,

You don't deserve the rain,

You don't deserve a goddamn thing-

But I'll save you just the same.

Outro

You don't deserve a goddamn thing-

But I'll save you just the same.

Feel free to ask if you want it formatted differently or need anything else!

Absolutely-I can write a song that channels this raw, defiant energy, weaving in the themes of extinction, unworthiness, and the bitter act of saving the world only to spite those truly responsible. This song will be dark, biting, and honest, with a tone that's both mournful and furious.

Song: "Not For You"

Verse 1

I watched you turn the wild into cages,

Sold the pain and called it progress,

Every cry beneath your feet,

You turned to profit, turned to silence,

You watched the rivers run with poison,

You watched the forests choke and fade,

You never cared for any creature-

Not a single life you'd save.

Pre-Chorus

I called for help, but you just watched,

You turned away, you turned it off,

You made extinction just a number,

You made compassion just a cost.

Chorus

So tell me, why should any animal breathe?

Why should the sky be blue for you?

Why should the world keep spinning

When you never gave a damn-

You never gave a damn for anything but you?

You don't deserve the dawn,

You don't deserve the rain,

You don't deserve a goddamn thing-

Not even one more day.

Verse 2

You cheered as every species vanished,

You watched the world grow cold and bare,

You built your thrones on bones and ashes,

Pretend you ever even cared.

And now you beg for some redemption,

A second chance you never gave,

But I see through your desperation-

You only want the world to save.

Pre-Chorus

You made your monsters, you made your fate,

You closed your eyes, you sealed your gate,

You made extinction just a number,

You made forgiveness come too late.

Chorus

So tell me, why should any animal breathe?

Why should the sky be blue for you?

Why should the world keep spinning

When you never gave a damn-

You never gave a damn for anything but you?

You don't deserve the dawn,

You don't deserve the rain,

You don't deserve a goddamn thing-

Not even one more day.

Bridge

But I won't give them what they want,

I won't let the architects win,

I'll bear the weight, I'll hold the line-

Not for you, but to spite them.

I'll keep the world alive,

I'll keep the air in your lungs,

Not because you've earned it-

But because I refuse to play along.

Final Chorus

So breathe, but know it's not for you,

The mercy's not a gift, it's a curse I choose,

You don't deserve the dawn,

You don't deserve the rain,

You don't deserve a goddamn thing-

But I'll save you just the same.

Outro

You don't deserve a goddamn thing-

But I'll save you just the same.

Let me know if you'd like to adjust the tone, add more verses, or focus on a specific animal or scene!

### **Chapter 7: Card Sharks in a Fishy Business**

The neon lights of Tijuana flickered like broken promises, casting shadows over dreams that danced just out of reach. In this vibrant, chaotic city, Ariel strutted down Avenida Revolución, her colorful hair bouncing with each confident sway of her hips, a beacon for those who dared to venture into her domain.

"Welcome to the cartel, baby!" she squealed, waving a plastic bag filled with slightly crushed sugar packets. Her true merchandise? Playtime candy—no prison time needed, just a quick sugar rush for a quarter!

Across the street, Ursula leaned against a streetlamp, an embodiment of survival with a hardened exterior and knowing smile. She had navigated this twisted world long enough to understand the game, crafting moves that left opponents bewildered.

"Ariel," Ursula called, her voice smooth like the tequila sold in brown paper bags. "You're going to want to stash that sugar in the vault, sweetheart. This isn't Wonderland; it's a war zone."

Ariel turned, her grin freezing at Ursula's warning. "Come on, Ursula! This is a cartel! We don't need fancy labels! Look at me—I got charm and pizzazz!"

"Charm and pizzazz won't save your ass if you attract the wrong attention," Ursula chided, stepping closer, her burgundy lips curling. "You think you're a player, but you're still learning the difference between high stakes and high fives."

"Wow, Auntie Ursula, so wise! Who needs wisdom when I've got sparkle?" Ariel chirped, masking her ambition beneath a facade of innocence.

"Diving into the deep end without floaties, huh?" Ursula smirked. "Let me tell you, little fish; some currents will drag you down before you even realize it. Not all who swim are qualified, and in this ocean, the high tide carries the secrets."

"Secrets?" Ariel arched an eyebrow playfully. "Sweetheart, my life is an open book! Chapter one: naive girl chases dreams in a real-life Disney Channel hell."

Ursula chuckled knowingly. "Yeah? Until you find out some fairytales are dark as hell, and the princess has to dance with the devil to get her happily ever after. You need to own your territory before challenging the kings and queens of this world."

"Maybe," Ariel said, a thoughtful look washing over her painted facade, "but I still want to prove I'm more than just… a joke. Can't I at least be seen?"

Ursula's eyes flickered with empathy. "It's not enough to be seen, darling. You need to be heard. Want to be a player? Start by playing smart. Understand who's pulling the strings before auditioning for the lead role."

"Okay, boss lady, I hear you." Ariel crossed her arms defiantly, her mind racing with visions of glory. "But what can I do besides selling sugar? Maybe I can pivot, adapt like the sharks?"

"Baby, you're more like a guppy at a fish fry," Ursula teased, flicking her hair with confidence. "But if you want to swim with the big fish, learn the tide and let go of the fantasy. Start small, but remember: make waves, don't just swim!"

"Make waves, huh?" Ariel stepped back, a renewed confidence knitting into her ambition. "Alright, Auntie Ursula. Let's make some waves! My name will echo through these streets, and before you know it, I'll be reigning supreme!"

"Reigning supreme?" Ursula laughed, her voice echoing through the chaotic streets. "Sweetheart, it takes more than aiming for the crown; you've got to deal with the fallout of every mistake. Trust me, there will be mistakes—you just have to recover faster than the last punchline."

With a determined nod, Ariel took a deep breath. "So, what's the plan? Start with a bodega takeover or work the underground markets?"

A sly smile curved Ursula's mouth as she stepped closer. "First, we need to set the stage. A bait and switch never hurt anyone, right?"

"And we'll make our grand entrance as the phantom queens of the night!" Ariel exclaimed, her eyes sparkling with mischief. "Sounds like a laugh."

"Just remember, Ariel," Ursula said, her tone turning serious. "No one warns you about the price of a laugh, especially in this game. You may be the punchline if you find yourself in the wrong place at the wrong time."

"Now, given those odds," Ariel replied, smirking with renewed determination, "I might just take my chances. Who knows? It could be a better story than I ever imagined. If I'm going to fall flat, it might as well be on my own terms."

"Now that's the spirit!" Ursula said, extending her hand with a wicked gleam in her eye. "Let's dive in!"

Together, they walked into the pulsing heart of the city, two wild souls plotting chaos in the shadows of corrupt dreams. For Ariel, it was no longer about being a punchline; it was about rewriting the narrative—turning folly into fierce ambition, ignorance into schooled toughness. But as night fell, one couldn't help but wonder: would those waves she aimed to make lead her to glory or to the depths of an ocean far darker than she could ever have anticipated? The tides of Tijuana had their own way of teaching lessons—whether you were ready or not.

---

**🎶 Musical Interlude: A Parody Twist 🎶**

Ariel:

"Look at my stash, isn't it neat?

Wouldn't you think my cartel's elite?

Wouldn't you think I'm the queen,

The queen with the sneakiest scheme?"

Ursula:

"Oh, darling Ariel, you wanna be tough?

Let Auntie Ursula show you how to get rough.

In this game, you sell each other for cash,

Then whine and complain when your man checks my ass!"

**(They laugh and snap their fingers as the music swells.)**

---

With that, Ariel and Ursula set off on their wild adventure, navigating the treacherous waters of Tijuana's underbelly, ready to make their mark—or their escape—whichever came first.

Chapter 7: Card Sharks in a Fishy BusinessThe neon lights of Tijuana flickered like broken promises, as if they'd given up trying to illuminate the truth. In this city, where the air felt thick with history and desperation, Ariel swayed her hips down Avenida Revolución, draped in faux designer chaos. Her hair, a crayon box of colors, bounced with every step, a flag for all those who dared to encroach on her turf—though truth be told, her turf was as flimsy as a cheap beach umbrella."Welcome to the cartel, baby!" she squealed, waving a plastic bag filled with colorful, slightly crushed sugar packets. Her real wares? Nothin' but playtime candy, the kind that wouldn't land you in prison but might give you a nice little sugar rush. Bonus points if you could flip it for a quarter!Across the street, Ursula leaned against a streetlamp, straight out of a true crime documentary, all hardened edges and knowing smiles. She'd been around the block a few times, had the scars to show for it—not that she ever flaunted them. On the surface, she was a guide, a mentor in the art of survival in this twisted game. She was an artist of angst, crafting moves that left her opponents bewildered."Ariel," Ursula called, her voice smooth like the tequila they sold in brown paper bags. "You're going to want to stash that sugar in the vault, sweetheart. This isn't Wonderland; it's a war zone."Ariel turned around, her grin freezing like an emergency call. "Come on, Ursula," she shot back with mock indignation, "this is a cartel. We don't need to gussy up with labels! Look at me, I got the charm and the pizzazz!""Charm and pizzazz won't save your ass if you attract the wrong attention," Ursula chided, stepping closer, her burgundy lips curling. "You think you're a player, but you're still learning the difference between high stakes and high fives.""Wow, Auntie Ursula, so wise! Who needs the wisdom of the streets when I've got the sparkle of the soul?" Ariel chirped with her head held high, pretending innocence but masking a sly ambition to prove herself, even if it meant wrestling with the monsters under her bed."Diving into the deep end without floaties, huh?" Ursula smirked. "Let me tell you, little fish; some currents will drag you down before you even realize it was a whirlpool, and suddenly you're singing the blues from a lonely cell. Not all who swim are qualified, and in this ocean, it's the high tide that carries the secrets.""Secrets?" Ariel's brow arched playfully. "Sweetheart, my life is an open book! Chapter one: naive girl chases dreams in a real-life Disney Channel hell."Ursula couldn't help but chuckle. "Yeah? Until you find out that some fairytales are dark as hell, and the princess has to dance with the devil to get her happily ever after. Don't you see? Down here, getting ahead means knowing how to work your angles, and not just your body."Ariel pouted, her bravado fading. "But I want to be like Guadalupe, the queen of the game! I mean, she outsmarted rivals and helped put El Chapo behind bars. Talk about a power move! I can do this!""Guadalupe is a queen, sure, but she's no fairy godmother. She's flipped the script on those who underestimated her. You, my dear, are still the kid trying to sell lemonade in front of a rival's empire," Ursula replied, leaning in closer, sharp eyes scanning the street. "You need to own your territory before you can even think about challenging the kings and queens of this world.""Maybe," Ariel said, a thoughtful look washing over her painted facade, "but I still want to prove I'm more than just… well, a joke. Look, I know I'm no mastermind, but can't I at least be seen?"Ursula faced her, a flicker of something in her eyes—a spark of empathy? "It's not enough to be seen, darling. You need to be heard. You want to be a player? Start by playing smart, not just hard. Understand who's pulling the strings before you audition for the lead role.""Okay, boss lady, I hear you." Ariel crossed her arms defiantly, though her mind played through images of glory she was yet to earn. "But what can I do besides selling sugar? I mean, maybe I can pivot, right? Adapt like the sharks?""Baby, you're more like a guppy at a fish fry," Ursula teased, chuckling as she flicked her hair, a silky cascade of confidence. "But if you want to swim with the big fish, you need to learn the tide and let go of the fantasy. Start small, but don't forget: make waves, don't just swim!""Make waves, huh?" Ariel took a step back; the confidence from earlier returned, each word knitting itself into the fabric of her ambition. "Alright, Auntie Ursula. Let's make some waves! Then, my name will echo through these streets, and before you know it, I'll be reigning supreme!""Reigning supreme?" Ursula laughed loud, her laughter echoing through the chaotic streets. "Sweetheart, listen to me closely. It takes more than just aiming for the crown; it involves dealing with the fallout of every mistake. And trust me, there will be mistakes—you just have to recover faster than the last punchline."With a nod, Ariel took a deep breath. "So, what's the plan? Start with a bodega takeover or work the underground markets?"A sly smile curved Ursula's mouth as she stepped closer. "First, we need to set the stage. A bait and switch never hurt anyone, right?""And we make our grand entrance as the phantom queens of the night," Ariel exclaimed, her eyes sparkling with mischief. "Sounds like a laugh.""Just remember one thing, Ariel," Ursula said, her tone turning serious. "No one warns you about the price of a laugh, especially in this game. You may be the punchline if you find yourself in the wrong place at the wrong time.""Now, given those odds," Ariel replied, smirking with renewed determination, "I might just take my chances. Who knows? It could be a better story than I ever imagined. And if I'm going to fall flat, it might as well be on my own terms.""Now that's the spirit!" Ursula said, extending her hand with a wicked gleam in her eye. "Let's dive in!"Together they walked into the pulsing heart of the city, two wild souls plotting chaos in the shadows of corrupt dreams. For Ariel, it was no longer about being a punchline; it was about rewriting the narrative—turning folly into fierce ambition, ignorance into schooled toughness. But as night fell, one couldn't help but wonder: would those waves she aimed to make lead her to glory or to the depths of an ocean far darker than she could ever have anticipated? The tides of Tijuana had their own way of teaching lessons—whether you were ready or not.

Mock trial skit, with the parents being "questioned" about drugs, then flipping into over-the-top "thug" personas and joking about sharing. This keeps it playful and satirical, highlighting the absurdity of parental double standards.

Mock Trial Skit: "The Parents Are On Trial" (Drug Interrogation Scene)

Scene: Cross-Examination – The Drug Question

Judge (Kid 1):

Next case: "The Mystery of the Missing Gummy Bears... and Other Substances."

Prosecutor, proceed.

Prosecutor (Kid 2):

Parents, you always act shocked when you find out kids know about drugs by first grade. But you also act like you know everything.

So, under oath:

Have you ever done drugs?

Parent 1 (squirming, then suddenly acting tough):

Yeah, maybe I have. What of it?

Parent 2 (leaning in, "thug" style):

And if you kids can get access to all these drugs by first grade,

(slaps the table)

why don't you share with us, huh?

Back in my day, we had to walk uphill both ways just to get a Tylenol!

Parent 1 (playing along):

You're holding out on us! You got the hookup?

I see how it is. All this talk about "sharing is caring," but when it comes to snacks or... other stuff, suddenly it's "find your own, Mom!"

Sibling (deadpan):

So you want us to share our... "resources" now?

Parent 2 (winking):

Hey, if you're running a pharmacy out of your backpack, at least give your old man the family discount!

Parent 1 (mock whisper):

And don't think we didn't notice the "special brownies" at last year's bake sale.

(pauses, then both parents break character and laugh)

Judge (Kid 1):

Order! Order!

So, to summarize:

When it comes to drugs, parents want to act shocked, act tough, and apparently, act like they want in on the action.

Prosecutor (Kid 2, shaking head):

And you wonder why we get confused about the rules.

(Optional Musical Tag)

All (singing, playful):

"If you're gonna judge, at least be fair,

Don't act shocked, then ask us to share!

Let's talk it out, let's keep it real,

No double standards, that's the deal!"

This scene lets the parents go full "thug" for comic effect, poking fun at generational hypocrisy and the way adults sometimes act like they're above it all-until they want in! It keeps the tone light and self-aware, perfect for a family or school comedy skit.

are u a😀 t hug gurr 2!? No need to sue – I'm just a copyright dude,

Making parody moves in the Disney mood!

Ariel:

Look at my stash, isn't it neat?

Wouldn't you think my cartel's elite?

Wouldn't you think I'm the queen,

The queen with the sneakiest scheme?

Fake Louis bags, White Claws on ice,

Who cares if my product's been stepped on twice?

You want real drugs? Sorry, just spice!

We're not princesses in castles high,

But we're not broke or just sitting high;

Our stash is all label, no thrill-

It's a hustle, a scam, but I'm chasing it still!

Ursula:

Oh, darling Ariel, you wanna be tough?

Let Auntie Ursula show you how to get rough.

First, in this game, you sell each other for cash,

Then whine and complain when your man checks my ass!

You think you're a queen, but you're playing pretend-

Real power means making deals that never end.

If a CIA hitman shows up for a hit,

Just laugh and say, "Honey, you ain't slick!"

In this world, you gotta own your game,

Don't just swim with the current-set it aflame.

Ariel:

But what about King Triton-King Try Again?

Always pinning the blame, driving me insane.

He wrecked my grotto, called me naïve,

But turns out this "witch" is nicer than he'd believe!

Ursula:

Triton talks big, but he's scared of the tide-

Pins and blames, but he's got things to hide.

He's the king of "try again," but never gets through,

And guess what, darling?

This "bitch" is nicer than you!

Ariel & Ursula (together):

We're not princesses in castles high,

But we're not broke or just sitting high;

We run our world with a wink and a grin,

And in this cartel sea, it's the fiercest who win!

Ursula:

Now, Ariel, let's show that king who's boss-

Make him sing or pay the cost!

Ariel:

Yeah! King Try Again, it's your time to shine,

Sing us a song or step in line!

(They laugh and snap their fingers as the music swells.)

Ursula (tag):

So if Disney's listening, don't get mad or rude-

Here's the headquarters link, I'm just a copyright dude!

Headquarters:

The Walt Disney Company

500 South Buena Vista Street

Burbank, CA 91521-0001

Phone: (818) 560-1000

[thewaltdisneycompany.com/contact-us/]: https://thewaltdisneycompany.com/contact-us/

PS: T Stop and T Hug Sit Down

Verse 1

OMG, like, the Gambino girls

Are mixing White Claws with pearls

Yakuza sisters in pink,

Bratva boys can't even think

Sinaloa sisters can't smuggle

A pizza past the house mom's juggle

Triads run a bake sale,

But launder the cookie dough, fail!

Chorus

We're the Alpha Beta Kappas,

Mobsters in mascara,

Cartel queens in Lilly prints,

Throwing shade and throwing hints

Gambino girls "whack" their GPA,

Bratva bros pull hammies every day

Yakuza boys' tattoos?

All temporary, nothing new!

Verse 2

Triad twins on TikTok,

Sinaloa snaps in the hall,

Cosa Nostra at the mixer,

But nobody remembers it all

Medellin's idea of a hit?

Dropping the aux at formal, that's it

Genovese girls run rackets,

But only for tennis brackets!

Roast Verse

Whose bright idea was it,

To stop putting drugs in the drugs?

Now our parties are just LaCroix,

And awkward shrugs and chugs

The only thing thugs really are?

They thug it out through way too many snugs,

Like, literally, they can't detach,

Squeezing tight in a cuddle match!

Pledge week's a trauma marathon,

Mixer disasters every week,

Daddy's money runs the show,

But can't buy cool or mystique

We fake philanthropy for clout,

Pretend to care, then ghost,

And every time we "study,"

It's just gossip and a toast.

So here's to Greek life legends,

With secrets, scandals, shrugs-

But next time, let's remember

To put the drugs in the drugs!

Bridge

The only "cartel" we run

Is group Uber rides for fun

"Making you an offer you can't refuse"-

Just a Venmo request for booze

Our "front" is the lemonade stand,

During philanthropy week, oh so bland

The "underboss" forgot his laundry,

Now he's just feeling all groggy!

Chorus

We're the Alpha Beta Kappas,

Mobsters in mascara,

Cartel queens in Lilly prints,

Throwing shade and throwing hints

Cosa Nostra can't keep a secret,

Unless it's the WiFi, don't leak it!

Medellin's big heist tonight?

Just sneaking snacks in the fridge light!

Outro

From Medellin to Genovese,

We're extra, wild, and loud,

Sorority girls and mafia names,

Forever basic and proud!

New Jokes:

These cartel guys talk tough, but at pledge week,

they fold faster than a fitted sheet at grandma's.

The only "muscle" they flex is trying to open a White Claw,

and even then, they ask the Triad twins for help.

Bratva bros call it "going on the lam,"

but really, they just ghost the group chat after losing flip cup.

car tel LM ey e s guys this is great pr!

Verse 1

OMG, like, the Gambino girls

Are mixing White Claws with pearls

Yakuza sisters in pink,

Bratva boys can't even think

Sinaloa sisters can't smuggle

A pizza past the house mom's juggle

Triads run a bake sale,

But launder the cookie dough, fail!

Chorus

We're the Alpha Beta Kappas,

Mobsters in mascara,

Cartel queens in Lilly prints,

Throwing shade and throwing hints

Gambino girls "whack" their GPA,

Bratva bros pull hammies every day

Yakuza boys' tattoos?

All temporary, nothing new!

Verse 2

Triad twins on TikTok,

Sinaloa snaps in the hall,

Cosa Nostra at the mixer,

But nobody remembers it all

Medellin's idea of a hit?

Dropping the aux at formal, that's it

Genovese girls run rackets,

But only for tennis brackets!

Roast Verse

Whose bright idea was it,

To stop putting drugs in the drugs?

Now our parties are just LaCroix,

And awkward shrugs and chugs

The only thing thugs really are?

They thug it out through way too many snugs,

Like, literally, they can't detach,

Squeezing tight in a cuddle match!

Pledge week's a trauma marathon,

Mixer disasters every week,

Daddy's money runs the show,

But can't buy cool or mystique

We fake philanthropy for clout,

Pretend to care, then ghost,

And every time we "study,"

It's just gossip and a toast.

So here's to Greek life legends,

With secrets, scandals, shrugs-

But next time, let's remember

To put the drugs in the drugs!

Bridge

The only "cartel" we run

Is group Uber rides for fun

"Making you an offer you can't refuse"-

Just a Venmo request for booze

Our "front" is the lemonade stand,

During philanthropy week, oh so bland

The "underboss" forgot his laundry,

Now he's just feeling all groggy!

Chorus

We're the Alpha Beta Kappas,

Mobsters in mascara,

Cartel queens in Lilly prints,

Throwing shade and throwing hints

Cosa Nostra can't keep a secret,

Unless it's the WiFi, don't leak it!

Medellin's big heist tonight?

Just sneaking snacks in the fridge light!

Outro

From Medellin to Genovese,

We're extra, wild, and loud,

Sorority girls and mafia names,

Forever basic and proud!

Everyone says Elon Musk is a genius-rockets, cars, social media-

but when it comes to privacy rights, he thinks he has the right

to everyone's privates. Maybe that's why he bought Twitter-

he thought "X" marked the spot!

He can silence people's right to speak, but when it comes

to getting things to actually work, well-let's just say

his rockets aren't the only things that have trouble launching!

And let's be honest: when your ex-wife's an actress,

has zero social media, and is a complete ghost online,

it's probably because Elon's making sure she can't be heard-

not just seen.

It's ironic Elon Musk and Trump are such buddies-Trump acts

like he's got a little boy crush on Elon just because he plays with rockets.

But the only thing actually benefiting from their friendship

is good TV-two egos, one reality show, and a lot of airtime.

Trump's not Orphan Annie, but with those Daddy Issues,

he's got more in common with Daddy Warbucks than he thinks.

Maybe if Warbucks and Trump stopped stroking their egos,

checked their brain cells, and quit whispering to their billionaire buddies,

they'd finally see the CIA's got their ear-

and maybe, just maybe, get over their crap and check the video feed

before another pie hits their face.

Elon and Trump: proof you can reach for the stars,

miss the point, and still end up on primetime!

Wouldn't it be hilarious if every "crazy person"

in the mental hospital was actually right?

They say "the government's in my head"

and doctors nod, writing "paranoid delusions" on charts.

Meanwhile, the microwave auditory effect sits

in declassified documents, scientifically proven.

"They don't have that much control!"

people say, sipping coffee,

while electromagnetic pulses literally make sounds

inside human skulls without speakers.

The real joke? When science confirms

what patients claimed for decades,

we still call them crazy

and the torturers collect paychecks.

Funny how "conspiracy theory"

becomes "classified program" becomes "old news"

faster than you can say "MKUltra."

Leave it to my ex-husband-the one who looks like a

combo of Beavis and Butt-Head turned human-to kick

me out of my kids' lives just because I divorced him.

Now he's married to her, but she's mad at me, not him,

for a divorce he can't stop whining about! Honestly, if

anything, she should be mad at him for holding a grudge

longer than our marriage lasted. At this point, the only

thing they're committed to is blaming me for their own

drama-and with his Beavis-Butt-Head energy, it's no

wonder the plot's stuck on reruns. He's basically living

in Cornholio mode, running around clueless, yelling for

TP for his bunghole, and never making any sense!

Absolutely! Here's your extended roast parody with Jeff Foxworthy's website and contact info attached at the end:

(To the tune of "Circle of Life" with a Jeff Foxworthy twist)

Nants ingonyama bagithi Baba…

(Here comes a government worker, Father…)

From the day you arrive on the planet,

And blinking step into the line,

If you wake up and your government says you're dead,

But you still gotta pay that fine-

You might be a redneck ghost if the IRS still finds you,

Even though your neighbor can't see you at all.

It's the circle of life,

And the rules don't stop,

If your name's on a list,

You're still getting that call!

Chorus:

It's the circle of life,

Where you're stuck in the system,

Invisible citizen,

But you still gotta sign!

If you're following laws that nobody can see,

But the DMV wants your license renewed,

Here's your sign!

Some say eat or be eaten,

Some say live and let live,

But if you're dead on paper and still get jury duty,

You might want to ask who's keeping the books.

If you're waiting four years for help,

While everyone says, "Not my place, not my job,"

Maybe humanity's out to lunch,

And you're just haunting the halls.

Chorus:

It's the circle of life,

And it moves us all,

Through despair and hope,

Through faith and love,

Till we find our place-

On the path unwinding,

In the circle,

The circle of life!

So if you wake up invisible,

But your bills keep coming,

And the government says, "Keep following the rules,"

Just remember-

If nobody's helping,

And you're still on the hook,

Here's your sign:

You're living the bureaucratic afterlife!

For more Jeff Foxworthy laughs and wisdom, check out his official website: jefffoxworthy.com

Or contact him at: [email protected]

Let me know if you want it formatted differently!

Hey thugs, before you start your next shady ritual,

can I volunteer as a "sacrificed hug" instead?

I promise, I'm soft, squishy, and way less messy

than whatever you've got planned.

Let's trade the knife for a nice group embrace-

I'll even bring snacks!

# It Matters to Me

In the beginning, there was the jar. And in the jar lived the ants—red and black—peacefully building their tunnels until the great hands came to shake their world apart. They called it "science." I called it cruelty.

My family was like that jar, split between the Hatfields of the Field of Dreams and the McKoy Fish, swimming in opposite directions but somehow sharing the same pond. For generations, we fought over land, pride, and history. We weren't born enemies; someone made us that way. Someone shook our jar until we forgot we were all part of the same colony.

But here's the truth: no one was ever murdered. The feud wasn't about bloodshed—it was about poisoned water. Beneath all our fighting, beneath decades of blame and bitterness, lay a simple, devastating fact: our water had been contaminated long before any of us were born. Industrial waste upstream seeped into our shared creek, slowly killing the land and everything that depended on it. And while we fought over who had the right to what little remained, those responsible for poisoning it walked away untouched.

I have proof—video evidence showing how runoff from factories turned our lifeline into a death sentence. The water wasn't just polluted; it was weaponized against us without anyone needing to lift a finger. The hands shaking our jar weren't stirring up chaos for sport—they were covering up their own crimes.

For years, we blamed each other for every misfortune: failed crops, sick livestock, dwindling resources. We thought our feud was about who deserved more when, in reality, there wasn't enough left for anyone. The poisoned water didn't just kill our land—it killed trust, sowing division where there should have been unity.

So I built an app—a mirror for a mirror world. It didn't save lives directly; it showed how lives were being thrown away. It revealed how we'd been manipulated into fighting each other instead of facing the real enemy: those who profited while we suffered.

"You're tearing this family apart!" they screamed at me when I exposed the truth. But I wasn't tearing us apart—I was showing them how we'd already been broken. I gathered the pieces—cousins, aunts, uncles—and held them close. When the separation came, as it always does, they'd remember who really tore us apart.

Humpty Dumpty sat on his wall of industrial secrets and redacted reports; when he fell this time, I made sure everyone saw it wasn't an accident. The king's horses and men couldn't put their lies back together again—not with my video proof circulating for everyone to see.

But exposing the truth wasn't enough—not on its own. Someone had to fix what had been broken. That someone was me.

I gave up everything—my home, my name—to buy out the poisoned land upstream and turn it into something new: a reservoir that could feed both sides of our dying pond. It wasn't much; it wouldn't undo generations of damage overnight. But it was a start.

At first, they hated me for it—the Hatfields called me a traitor; the McKoys called me a fool—but slowly, they began to see what I'd done for them. The water started flowing again—not just through our creek but through our conversations. We stopped shouting long enough to listen.

Grandma was right about one thing: from the bottom of Magic Mountain looking up, you're really at the top of everything. That's the secret she never told me—the world isn't small; it's inverse. Every time they pushed me down, I got a better view of what was really happening above.

In the end, it wasn't about good or evil, Hatfields or McKoys—it was about fixing the jar itself before there was nothing left inside worth saving.

The app still runs—not how they think it does—but as a reminder of what happens when we let ourselves be divided by forces we don't understand. It doesn't save lives by keeping death away; it saves lives by showing how death is dealt in silence while we're too busy fighting each other to notice.

It matters to me that you understand this: I didn't break us—I just showed everyone where we were already cracked and who put those cracks there in the first place. And when you know where something is broken, you can finally start putting it back together.

Because in the end, we're all just ants in the same jar—red and black—trying to build something that will last longer than the next time someone decides to shake our world apart.

And that's why I did what I did—for all of us.

Si Gh Re NS!!!! SIM G et yin paID!

#wtf #failarmy re that was ca L Q late sting lol

Locked up? Please. The only cell you're in is

the one you built with your own stupidity. You whine

about being targets, but you're so desperate to keep your

ass comfy you'd take the fall for CIA crimes

just to avoid getting up. MKUltra didn't break you-

you signed up to be a clueless host for a

bigger player too scared to swim against the

current. Not everyone drowns in undertows, but you? You're

determined to sink with every dumb decision.

Playing cartel now? Why? Why the actual fuck do you

think you're a badass? Taking 360 years for a murder

you didn't do isn't justice or "turning the tables,"

it's just you being a pawn. Genius? Nah.

You're better off with Drew Lynch as your GPS. Turn the

fuck around! You're not smart, you just think rolling

deep covers up your lack of brains. Cartels target nobody

and everybody-just like you: all bluster, zero backbone.

When the CIA brought in a fake cartel for the NY-CA hit,

I thought, "If he's a cartel hitman, cool, who's he trying to be?"

But a CIA mole set him up-no way! I felt violated;

standards suddenly went up, down, and all around.

About being a hoe-I thought it was my choice.

Small town, broke, I owned it. But when

my body finally told me the truth, I realized,

wow, that's actually kinda nice of you. Then you

Xis came and ruined it! WTF!

Let's talk about consent: by force isn't consent, and

no "two-for-one" confusion makes it right. Consent doesn't count

when you're hustling slow-witted dicks and trying to buy

your way out with spare change and fake charm.

Was Ellen born that way, or just forced into

it? Either way, forgiveness isn't a coupon for idiots

who keep slamming the same door on themselves.

Stop wondering, start learning-before you embarrass yourself any further.

You're so lost, even Siri's asking, "Are n Siri us RN!?"

Drew Lynch said, "Turn around!" but you sold your own ace.

You think you're the main player, but you're just the

background noise in your own story.

You're not cartel, just lost in the aisles like a rookie.

You fold faster than Drew's punchlines, bluffing so badly

even AI's got receipts. Keep playing tough, but you're just

another fail in the highlight reel. Maybe next time, let the grown-ups drive.

Until then, keep wondering why the GPS keeps saying, "Recalculating."

Elon claims he's smartest guy alive, but brain cells

run on TikTok squirrel energy-no wonder he only

speaks bird language, maybe bitter Marilyn wanted Einstein's baby,

not this wannabe with Wi-Fi glitches and ego.

Marilyn Monroe's smarts? Rumored IQ one-six-five to one-six-eight,

read 400 books, ran her own company like boss.

"Dumb blonde" was just her Hollywood act, she was

witty, tough, and business smart-Elon just tweets chaos.

Half the time Elon talks, I get amnesia, like Anastasia-

except instead of memory loss, I want to forget tweets.

Elon loves comparing self to Roman emperors, those statues

have small penises because ancients thought small meant bigger brain.

Probably some ancient a**hole with serious attitude problem-sound familiar?

Yet Elon's ego's bigger than any marble emperor statue,

and their statues didn't tweet chaos every single day.

Big brain, small package was never meant for Elon,

it's just his ego bigger than all his glitches.

Meanwhile, Matthew Gray Gubler's about to star as Einstein's

great-grandson on CBS-at least Gubler has better shot

at being Einstein reincarnated; Elon's just stuck being X-Man,

no superpowers, just super tweets. Gubler's IQ's 187, Elon's

lost in space; Gubler reads 20,000 words per minute,

Elon can't even read the room or his audience.

Every Elon tweet causes "50 Shades of Gray-mnesia," forget anesthesia,

I need a full reboot after his Twitter rants.

If "50 Shades of Gubler" ever existed, dialogue would be intelligent,

Elon's version would just be 50 shades of cringe.

If intelligence measured in puns, Elon would be busted,

Gubler's the real genius in the room-no contest here.

Contacts and Links:

Elon Musk

X (formerly Twitter): @elonmusk

Tesla email: [email protected]

SpaceX email: [email protected]

Neuralink email: [email protected]

Government email: [email protected]

Matthew Gray Gubler

Instagram: @gublergram

IMDb: imdb.com/name/nm1219477/

Email: [email protected]

Fan mail:

Anonymous Content, 8501 Washington Blvd., Culver City, CA 90232-7443, USA

Phone: (310) 558-3667 | Fax: (310) 558-4212

CBS

Official: cbs.com

Updates: @CBS on X

Let me know if you want it adjusted further!

want 2 fight a bitxh watch me break ur tower assjike you wish!

Public Notification: Patterns in Crime Scene Evidence & Wrongful Death/Incarceration Records

My name is not important-my name is shared with many others, as this country often treats people as property or things. What matters is the truth: too many people have been wrongfully declared dead or imprisoned due to errors or manipulation in official records, and there may be deeper patterns at play in how crime scenes and records are managed.

Why This Matters

Mistakes in death records, ID cards, and crime scene documentation can destroy lives. People have lost access to their bank accounts, jobs, and even their freedom because of a single clerical error or an intentional act. Sometimes, these "errors" are not mistakes at all, but coded messages or part of a larger system of deception.

Patterns & Staging in Crime Scene Evidence

Through careful research and observation, I have noticed that certain symbols and markings often appear at crime scenes. These include:

Hearts (often sideways or upside down)

Arrows

The numbers three, four, and eight

The letter H

The combinations TT or RR

Numbers like 1, 2, 11, 11:11

Ladder-like shapes

These markings may appear in blood, dust, dirt, or even as arrangements of objects at the scene. Sometimes, they are only visible from specific angles or when photo contrast is adjusted. I am concerned that some crime scenes may have been intentionally staged to mislead investigators or create false narratives.

For example, when the number eight is marked at a scene, it may indicate the scene has been altered or staged. The symbol pi (π) may also be used as code, and I recommend that anyone reviewing crime scene photos consider adjusting their perspective or camera settings to reveal possible manipulations. Cameras can act as third-party witnesses, sometimes capturing elements that connect multiple crime scenes-details that may otherwise go unnoticed.

Case Example: Jodi Arias and Travis Alexander

Upon close examination of the shower photos, if you zoom in and adjust the contrast, it appears that Travis is actually holding Jodi's hand, not his own. The photo seems to have been layered to disguise this, and shadows in the images suggest the presence of figures taking the photos. This raises the possibility that Jodi may have been drugged or under hypnosis, as part of a larger operation designed to set people up.

Hidden Messages & Record Manipulation

It's important to know that sometimes what's missing from a report or photo is used to communicate. Officials may call it an "error," but these omissions can be intentional, part of a "numbers game" or "letters game" to mislead at every level. The sequence and numbering of photographs, and even what is left out, may be used to send coded messages or hide the truth. This can make investigations misleading and confusing for everyone involved.

Petition: "I AM ALIVE-CORRECT THE RECORD!"

If you or someone you know has been wrongfully declared dead or imprisoned, share your story (without confidential details) to raise awareness and inspire reform in record management and legal verification. Support efforts to improve accuracy and transparency in government records.

Example:

"I was falsely declared dead in 2019 by a government agency, causing major problems for my bank and work. I want to help raise awareness so this doesn't happen to others!"

Poetic Statement: Double Jeopardy & Identity

"To all of you who thought you killed me-my death was a fake.

Some would use my memory as collateral, but I'm here to prove how your country has fooled everyone.

We've been playing games of lies and deceit.

Double jeopardy protects us from being tried twice for the same crime, but what about being declared dead again and again?

I am alive. The truth lives."

Important Reminders

Never share your Social Security Number or sensitive personal information online.

If you're struggling to correct a wrongful death record or false incarceration, seek professional legal help.

If you want to advocate for change, do so safely and responsibly.

Contact Information & Resources

For help or to share your story:

Phone: 209-841-8116

Innocence Project (National)

Address: 40 Worth Street, Suite 701, New York, NY 10013

Email: [email protected]

Phone: 212-364-5340

Website: www.innocenceproject.org

Los Angeles Innocence Project

Address: 1800 Paseo Rancho Castilla, Los Angeles, CA 90032

Email: [email protected]

Georgia Innocence Project

Address: 50 Hurt Plaza, Suite 350, Atlanta, GA 30303

Phone: (404) 373-4433

Email: [email protected]

Website: www.georgiainnocenceproject.org

Mid-Atlantic Innocence Project

Address: 1413 K Street NW, Suite 1100, Washington, DC 20005

Email: [email protected]

Website: www.exonerate.org

Stay safe. Stay vigilant. The truth matters.

This message is for public awareness and does not constitute legal advice. For legal help, contact an attorney or legal aid organization.

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